Because there are no fixed rules for creating lighting, not all DPs render the lighting of a scene the same way. However, Swain’s three rules of lighting creation can not only help you a lot in the night out, but also help you learn to lighting. She tried building a “bare moonlight”, moonlight with built-in equipment, and finally, just using the tools available to create the light. And these constructions will tell you some of the most popular and important concepts in lighting up night scenes.
There are a lot of things to consider before deciding to set the lighting for a shot, but perhaps the biggest issue to consider is moonlight (the role of moon light in the shot and how to reproduce it) and what is available (the way you can use the available light to cater for the shot).
If you’ve never seen moonlight yet, Swain’s advice is to soften and spread the light to get a natural glow. You can adjust the light by adjusting the key light’s reflector with a reflector, and you can also diffuse the light through a white flag to reduce what Swain calls sourcey look.
Effective lighting (realistic light)
Swain’s second lighting setup will show you how to create complex and detailed lighting for a scene from the darkest scenes. In addition to using the re-enacted moonlight to illuminate the scene, Swain also uses a range of built-in lighting elements, including a jucuzzi bulb, string lights, as well as studio studio lights. Can add energy to the light available in the house. All of which will provide enough light to properly expose, as well as create depth for the scene and for the character itself. From the foreground to the background, the shot has a lot to look at, and it also deceives the vision that the lighting of the scene is natural.