Technique of Montage

The secrets of editing that the writers and directors have learned from each other.

March 4, 2018
What can the writers learn from the secrets of making a movie, make their script more cinematic and more influential? And is it possible for writers to think like the editors when they write the lines? Visit because I have listed the experiences that famous directors have written on this issue.

1. When NOT to cut scenes

Writers are often told not to mention the camera in the description of the scene. This is accurate and most of the time needs to be controlled.

However, any rigid rules can be broken. You can write a description of the scene. The following video will show the power of retaining images.

The painful hangman scene in the movie 12 Years a Slave focuses on the image of the protagonist hanging on a tree, struggling and fighting for his life.

This scene was not cut and lasted for about 90 seconds, as long as a lifetime in the editing process. However, the image has a powerful impact.

You can do this in the description of the scene – keeping the image as it is – by adding a few lines of descriptive suggestions briefly over the details. Now you do not want to detail the description of your footage. If you develop that disability, you will have more than 130 pages of manuscripts. But if you want to keep a certain image, you don’t want to change the scene, ask for more details about the image.

In this case, you will write a description of how the slaves in the background continue their work, ignoring the image of one of them being frightened to death. You should make more notes about the noises that come from the fields. You need to detail the beauty of the scene in conjunction with the hanging man.

If you want certain images to not be cropped in order to impact the viewer for a few more seconds, write a few more lines in the description of the scene to remind people.

2. Control Your Ego

This video is about the fact that montages cannot let your ego affect your work and what is right for the union – and the story – of project.

As a writer, you cannot let your ego affect the flow of the story you are telling. Once you agree to a rewrite contract or complete an article, you must always control your own personality and do what is needed for the project.

Even when you are writing about details, you need to put your ego aside, avoid writing about big, flashy things that you think yourself great, that will spark the source. inspiration in anyone who reads it. If those details do not serve the story line, you will move away from the original project.

3. Believe in the film making process

A film is the result of a combination of several stages. And it was only started by the script writer.

The process of developing ideas, writing scripts, packaging, selling scripts, casting actors, filming, editing and promoting a movie will not change in the near future. There will certainly be a lot of conflict here, but the process associated with producers, executives, directors and talents will always be there.

Sometimes you will have more freedom, sometimes you will not. Sometimes you need to use notes for your writing pages. Sometimes those notes are the key to success.

Combining parts is a process. You need to have faith in it. This also applies when dealing with management and draft representatives before it is actualized.

Believe in the film making process.

4. Bad ideas lead to good ideas

Editing is a huge combination of efforts. Film editing follows the direction of the director. When they definitely have their own data source, in the end, the director will make a phone call. The phone call sounded stupid and unusual at the time, but the editors needed to trust the process and work.

The same thing can be said with the screenwriter. Once the script has been shared and feedback or notes about the script appear, you’ll get some blatant lies. Especially when you write in a studio. You may receive one or two notes from a manager or representative who is dissatisfied with your vision.

But you need to take control of your original point of view and keep those counter-intuitive notes, put it in context and will somehow make the story better. Making those notes useful in your story is your job.

Bad ideas lead to good ideas.

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